Book

Medieval Liturgical Music of Zamora. Ottawa: Institute of Mediaeval Music, 1996.

Book Chapters

'Seeking Early Exultet Practice in Iberia'. In Identity and Locality in Early European, ed. Jason Stoessel. Ashgate. Forthcoming.

'Commemorations of the Light: the Exultet in Toledo Sources from c. 1200 to c. 1600'. In Commemoration, Ritual and Performance: Essays on Medieval and Early Modern Music, ed. J.M. Hardie and D. Harvey. Musicological Studies, vol. 84. Ottawa: Institute of Mediaeval Music, 2006. pp. 70-87.

'Two Twelfth-century Fragments in Zamora: Representatives of a Period of Transition'. In Encomium Musicae: Essays in Honor of Robert J. Snow, ed. David Crawford and G. Grayson Wagstaff. Hillsdale, NY: Pendragon Press, 2002. pp. 161-174.

'Conlaudemus omnes pie and Deo nos agentes: Polyphony in a Fourteenth-century Source of the Church of Zamora". In Fuentes Musicales en la Península Ibérica (ca. 1250-ca. 1550), ed. Maricarmen Gómez & Marius Bernadó.  Lleida: Ediciones de la Universitat de Lleida, 2001. pp 109-119.

 Journal Articles

'Fragments of medieval chant manuscripts at the University of Sydney'. Fontes Artis Musicae 55/1 (2008): 223-31.

'From the Republic of Slovenia: Slovenian music history and musicology' [review article]. Musicology Australia 30 (2008): 59-63.

'Observations on an Early Twelfth-Century Antiphoner Fragment at Toledo'. In Concordis Modulationis Ordo Ismael Fernandez de la Cuesta In Honorem, ed. Robert Stevenson and Emilio Rey Garcia. Inter-American Music Review 17 (2007): 17-24.

'Semitone Indication in a Twelfth-Century Source of Aquitanian Notation in Zamora'. Revista de Musicologia Portuguesa. In press.

'The Melbourne Philharmonic Society under Contract to the Australian Broadcasting Commission: Preservation and Triumph.' Context 25 (2003, pub. 2005): 25-33.

'"Living, Deathless, Timeless Music": Grainger and Early Music'. Australasian Music Research 5 (2001): 83-104.

'Grainger and the Australian Broadcasting Commission after 1935: Memories, Hopes and Frustrations'. Australasian Music Research 5 (2001): 113-24.

 'Percy Grainger's Work for the Australian Broadcasting Commission, 1934-1935: Background and Reception', Australasian Music Research, 2-3 (1999): 99-110.

'Duration and the Plica. Plainchant in Spain During the  Fifteenth Century and the First Half of the Sixteenth  Century', Actas del XV Congreso de la Sociedad Internacional de Musicología vol. 4, Revista de Musicología 16 (1993, published 1996): 2306-2315.

'A Fragment of Medieval Polyphony in the Archivo Histórico Provincial of Zamora'. Plainsong and Medieval Music 2/2, (1993): 141-51.

'Unknown Polyphony in a 14th-Century Spanish Misal votivo'. Miscellanea Musicologica: Adelaide Studies in Musicology 17 (1990): 1-12.

'The Adelaide String Quartet Club and the "Vocal Element", 1880-1891', Miscellanea Musicologica:  Adelaide Studies in Musicology 15 (1988): 143-52.

Other

Kathleen E. Nelson and Anna Muntada Torellas. "University of Sydney, MS Fisher RB Add. 358" in The Medieval Imagination: Illuminated Manuscripts from Cambridge, Australia and New Zealand, ed. Bronwyn Stocks and Nigel Morgan. Melbourne: Macmillan Art Publishing, 2008. pp. 114-15.